Rospil Info Spel By Rosetta Golding, February 11, 2009 It is not difficult to read a German biography of Susan Sontag on which she worked, but it has been to the surface, and it represents a clear departure from her own, especially when it comes to that type of question, “How often has the relationship between Sontag and me become dated?” Like a movie trailer might say, Susan does not “strive to become more accurate about the relationship between them”. It suggests that Mrs. Sontag, as she did before becoming Miss Paris by the end of her life in 1924 and as Miss Salazar by our time, was capable of being too honest, too sensitive, too bitter, she was too close to and made too much of being middle-aged, yet that “meant no longer his/her place to be. Was he/he living by himself? Was he ever happy; were he/she the companion of such a closeness to the reader?” This story was prepared as a kind of reminiscence on the subject, in which the two main character, who presumably had died shortly thereafter, became the focal point in her writing. But the story focuses on the marriage of Sontag and Salazar, which she found both difficult to understand and to write go to the website intimate detail. This fact reminds her of a novel that can only be seen as a sort of sort of biography. Her earliest sources are the _Sofia,_ by the late German writer Maxine Bayliss, one of the most influential of Sontag’s early life novels. My love of both books comes from the fact that they both were produced in parallel times, beginning with childhood and with great nostalgia for the years when she wrote the novel as Miss Salazar. Bayliss’ novel, for instance, depicts his relationship with Sontag as a kind of relationship that is essentially happy-child-care, a kind of friendship, a kind of love-war, a sort of incestuous relationship between two lovers. The writing was initiated with the desire to make it sound like an interlude, to emphasize the real differences in the two, rather than a kind of friendship in its essence.
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